From the Cinematography Group on Facebook!
Pretty cool!
Amazing lighting setup, no VFX, by ⚡@mattardine "Nike, 2017.
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Lights
8 – 20k balloons, 20’x8′
145 – Martin Rushpars
50 – Colorado Tripars
75 – Sunstrips
10 – Clay Paky Scenius
30 – Clay Paky Sharpys
12 – Arri Skypanel S-60
4 – ETC Source 4 Lustre
2 – Brite Box Flame follow spot
2- Arrimax 18k
2 – GrandMA2 Full
4 – GrandMA2 NPU
4 – TMB Proplex Fiber Switches
4 – 750′ Fiber
1 – WDMX 2 Universe Transmitter
8 – Innovative Dimmers Cinetennas
8 – Optisplitters
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Production Company: Doomsday
Director: Hiro Murai
Cinematographer: Larkin Seiple
Lighting Designer: Matt Ardine
Lighting Console Programmer: Eric Androvich
Rigging Gaffer: Ted Barnes
DMX Tech: Paul Sartain
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⚡@iatselocal728 @clay.paky @ma_lighting_international
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Lighting gear provided by: @voltlites
Electrical Gear Provided by: Blackline Rigging and Lighting
Lighting Balloons Provided: @onelightballoons
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post via : @filmlights ⚡️
Amazing lighting setup, by ⚡@mattardine "Nike, 2017. - Lights 8 – 20k balloons, 20’x8′ 145 – Martin Rushpars 50 – Colorado Tripars 75 – Sunstrips 10 – Clay Paky Scenius 30 – Clay Paky Sharpys 12 – Arri Skypanel S-60 4 – ETC Source 4 Lustre 2 – Brite Box Flame follow spot 2- Arrimax 18k 2 – GrandMA2 Full 4 – GrandMA2 NPU 4 – TMB Proplex Fiber Switches 4 – 750′ Fiber 1 – WDMX 2 Universe Transmitter 8 – Innovative Dimmers Cinetennas 8 – Optisplitters - Production Company: Doomsday Director: Hiro Murai Cinematographer: Larkin Seiple Lighting Designer: Matt Ardine Lighting Console Programmer: Eric Androvich Rigging Gaffer: Ted Barnes DMX Tech: Paul Sartain - ⚡@iatselocal728 @clay.paky @ma_lighting_international - Lighting gear provided by: @voltlites Electrical Gear Provided by: Blackline Rigging and Lighting Lighting Balloons Provided: @onelightballoons - post via : @filmlights ⚡️
Posted by Cinematography on Tuesday, June 23, 2020